![]() ![]() Like Haydn’s ‘Surprise’ Symphony, the secret of this piece is sort of given away in the title… listen out for the big finish. So many questions: who was Ernst? Why Venice? But, most pressingly, what’s with the soft toys? Pizzicato-Polka o Pizzicato Polka, Opus 234 es una polca compuesta por los hermanos Johann Strauss y Josef Strauss en 1869. Recollections of Ernst or The Carnival of Venice by Johann Strauss I Strauss II showing he’s up on his current affairs, with this Polka celebrating the latest scientific developments: This Polka is dedicated to them – and comes complete with chattering percussion effects.Įlektro-magnetische Polka by Johann Strauss II The Strauss family wrote music for society dances – and of course no dance would be complete without the gossips and chatterboxes. ![]() Plappermäulchen (Chatterbox) Polka by Josef Strauss Listen out for the crack of the whip – that percussionist is having a great time. Pizzicato Polka by Johann Strauss II and Josef Strauss Today’s commuters might find it hard to credit, but in the 19th century, composers were so inspired by trains, they wrote music in homage to the new mode of transport.Įisenbahn-Lust Walzer (Railway Joy Waltz) by Johann Strauss IĪnd if that blew your whistle, try this ‘Railway Joy Waltz’ from Johann Strauss. 257.Copenhagen Railway Steam Gallop by Hans Christian Lumbye POLKAS: Aesculap, Op.130 Annen, Op.117 Armenball, Op.176 Aurora, Op.165 Bürgerball, Op.145 Champagne, Op.211 Damenspende, Op.305 Demolierer, Op.269 Electropher, Op.297 Explosionen, Op.43 Figaro, Op.320 Juristenball, Op.280 Lagerlust, Op.431 Leichtes Blut, Op.319 Pizzicato Polka (with Josef Strauss) Tritsch, Tratsch, Op.214 Unter Donner und Blitz (Thunder and Lightning), Op.324.Īlso, marches, galops, and Perpetuum Mobile, Op. WALTZES: Abschied von St Petersburg, Op.210 Accelerationen, Op.234 An der schönen blauen Donau (On the beautiful Blue Danube), Op.314 Architektenball-Tänze, Op.36 Cagliostro, Op.370 Erinnerung an Covent Garden, Op.139 Freuet euch des Lebens, Op.340 Frühlingsstimmen (Voices of Spring), Op.410 Geschichten aus dem Wienerwald (Tales From the Vienna Woods), Op.325 Grossfürstin Alexandra, Op.181 Hofballtänze, Op.298 Juristenballtänze, Op.177 Kaiser-Walzer (Emperor Waltz) Op.437 Kronungslieder, Op.184 Künstlerleben, Op.316 Der Kuss, Op.400 Lagunen, Op.411 Liebesliederwalzer, Op.114 Morgenblätter (Morning Papers), Op.279 Nordseebilder, Op.380 O schöner Mai, Op.365 Rathausballtänze, Op.438 Rosen aus dem Süden (Roses from the South), Op.388 Schneeglockchen, Op.143 Seid umschlungen Millionen, Op.443 Wein, Weib und Gesang (Wine, Woman and Song), Op.333 Wiener Blut (Vienna Blood), Op.354 Wiener Bonbons, Op.307 Wo die Zitronen blüh'n, Op.364. Includes a few selections from other members of the Strauss family (Josef Strauss. None force assignment Movements/Sections. OPERETTAS: Indigo und die vierzig Räuber (1871) Der Karneval in Rom (1873) Die Fledermaus (1873-4) Cagliostro in Wien (1875) Prinz Methusalem (1877) Blindekuh (1878) Das Spitzentuch der Königin (1880) Der lustige Krieg (1881) Eine Nacht in Venedig (1883) Der Zigeunerbaron (1885) Simplicuis (1887) Ritter Pazman (1892) Fürstin Ninetta (1893) Jauka (1894) Waldmeister (1895) Die Götten der Vernunft (1897).īALLET: Cinderella (1899 completed as Aschenbrödel by J. Choice collection of dance music for the piano-forte, consisting of the most beautiful of the waltzes, polkas, galops, quadrilles and polka mazurkas. They are 3.8 mil truncated eliptical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated eliptical. Schoenberg, were what we should now call ‘fans’ of Strauss, recognizing a supreme master of a genre who comp. Four stylii were used to transfer these records. Was friend and admirer of Wagner, who, like Brahms and other composers incl. is played, as are his polkas and other dances. Of his waltzes, the Blue Danube (1867), Roses from the South (1880), the great Emperor Waltz (1888), and Tales from the Vienna Woods (1868) are beloved wherever mus. Turned to stage 1871, when first of a series of successful operettas was produced at the Theater an der Wien, the most famous being Die Fledermaus (1874). nearly 400 waltzes which have come to epitomize Viennese gaiety and sentiment. ![]() In 1855 engaged to direct summer concerts in Petropaulovsky Park, St Petersburg, for 10 years. When his father died, amalgamated both orchs. of his own and his father's waltzes in rivalry to his father (they also supported opposing sides in the 1848 revolution). ![]() as career, worked as bank clerk but learned vn. Because his father did not want his sons to choose mus. Austrian composer, conductor, and violinist, eldest son of Johann Strauss, and deservedly known as ‘the Waltz King’. Strauss, Johann II ( b Vienna, 1825 d Vienna, 1899). ![]()
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